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The New Yorker
Blitt’s Kvetchbook

Epstein Island Revealed

A not-so-fine mess.
By Barry Blitt
July 30, 2025

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  • Grammar tips from a thirty-eighty-year-old with an English degree.

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Barry Blitt, a cartoonist and an illustrator, has contributed to The New Yorker since 1992. In 2020, he won the Pulitzer Prize for editorial cartooning.

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The Food Scene
Three Plays on the Pancake
A masa-based version at Hellbender, a riff on soufflé at Pitt’s, and a modern-classic stack at S&P Lunch.
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Takes
Jane Mayer on John Hersey’s “Hiroshima”
His monumental report changed history, journalism, and me.
By Jane Mayer
The Writer’s Voice
Kiran Desai Reads “An Unashamed Proposal”
The author reads her story from the August 11, 2025, issue of the magazine.
Fiction
“An Unashamed Proposal”
Look, Sunny said, however progressive my mother is, she is an Indian woman from another generation. Do you really think I can tell her that we sleep in the same bed?
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The Sporting Scene
What Is Lost in Luka Dončić’s Glow-Up
The rebrand of the Los Angeles Laker—who appeared on the cover of Men’s Health looking lean, buff, and bronze—makes sense. That doesn’t make it less sad.
By Louisa Thomas
This Week in Fiction
Kiran Desai on Life with Her Characters
The author discusses her story “An Unashamed Proposal.”
By Cressida Leyshon
Comment
The Politics of Fear
As a Presidential candidate, Donald Trump made his world view plain: there was “us” and there was “them.” Once he was in the White House, the fear factor would prevail.
By David Remnick
Crossword
The Crossword: Tuesday, July 29, 2025
A moderately challenging puzzle.
By Paolo Pasco
The Weekend Essay
Watching the “King of the Hill” Revival from Texas
In the age of MAGA, the show’s small-town values are both a relief and slightly outdated. In the end, will we and the animated characters all live like city people?
By Rachel Monroe
Critic’s Notebook
The Banal Provocation of Sydney Sweeney’s Jeans
The American Eagle campaign, with its presentation of Americana as a zombie slop of mustangs, denim, and good genes, is lowest-common-denominator stuff.
By Doreen St. Félix
Photo Booth
At the Edge of Life and Death in Ukraine
A new photo book by Eddy van Wessel, with nearly two hundred images taken over the course of three years, offers a visual history of the war’s devastation.
By Joshua Yaffa
On Television
Sterling K. Brown’s Upstanding Archetype
In Hulu’s soapy “Washington Black,” about an early-nineteenth-century slave who escapes to Halifax, Brown rises above the material.
By Vinson Cunningham
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