Racism
Critic’s Notebook
The Banal Provocation of Sydney Sweeney’s Jeans
The American Eagle campaign, with its presentation of Americana as a zombie slop of mustangs, denim, and good genes, is lowest-common-denominator stuff.
By Doreen St. Félix
The New Yorker Radio Hour
A Historical Epic of the Chinese in America
Chinese immigrants in the U.S. have been fighting for centuries against racial prejudice, the author Michael Luo says; their story should be seen as an American epic.
The Sporting Scene
The End of “END RACISM” in the End Zone
In the same week it was revealed that the slogan would be missing from the field at the Super Bowl, the N.F.L. commissioner defended the league’s diversity efforts.
By Louisa Thomas
On Television
Is Matt Walsh Trying to Make “Am I Racist?” the “Borat” of the Right?
In his work with the Daily Wire and in a new movie, the conservative podcaster and activist tries to expose the hypocrisies of the left.
By Vinson Cunningham
Letter from Biden’s Washington
Trump Is Not Pivoting to Policy, Now or Ever
The ex-President is promoting the idea that his hateful propaganda comes from Heaven itself.
By Susan B. Glasser
Cultural Comment
The Disquieting Dogmas Behind Three Cat Controversies
What can be learned from the collisions between pets and politics this election season?
By Lauren Michele Jackson
Q. & A.
The Historical Precedents to Trump’s Attacks on Haitian Immigrants
An expert on white nationalism explains how such demonizing rhetoric incubates and spreads—and what sets this particular episode apart.
By Isaac Chotiner
The Lede
The Warped World of the U.K. Rioters
The United Kingdom has become more multicultural, but a wave of anti-Muslim and anti-immigrant violence raises the possibility that it is also becoming more racist.
By Mohammed Hanif
Under Review
Pete Rose and the Complicated Legacy of Cincinnati Baseball
The culture that sheltered Rose from the fallout of his excesses did not extend the same protection to the team’s Black players.
By Brandon Harris
Letter from Biden’s Washington
Trump’s Racist Attack on Kamala Harris Was No Accident
Is it, perhaps, a sign that the Vice-President’s swift rise in the polls has him panicked?
By Susan B. Glasser
The Front Row
The Return of “No Fear, No Die,” Claire Denis’s First Masterwork
This 1990 drama reveals, in documentary-like detail, the power and the politics of an illegal cockfighting ring.
By Richard Brody
Postscript
What Willie Mays Meant
The late, great ballplayer’s myth had a specifically New York aspect.
By Adam Gopnik
Persons of Interest
Malika Andrews Plays Through the Pressure
The ESPN star’s reporting on divisive subjects, including allegations of violence against women, has been as risky as it is refreshing.
By Jennifer Wilson
Photo Booth
What Asian America Meant to Corky Lee
A new anthology by Chinatown’s omnipresent documentarian, who captured half a century of shifting identities, activism, and daily life.
By E. Tammy Kim
The Political Scene Podcast
The Attack on Black History In Schools
Why are so many states restricting what schools can teach about racism? Two leading journalist-historians discuss the efforts to ban or rewrite the teaching of Black history.
The New Yorker Radio Hour
The Attack on Black History, with Nikole Hannah-Jones and Jelani Cobb
Why are so many states legislating restrictions on what schools can teach about racism? Plus, the film critic Justin Chang on what he’s looking forward to seeing in 2024.
The Front Row
Med Hondo’s Vital Political Cinema Comes to New York
The Mauritanian filmmaker, long active in France, reveals the legacy of colonialism in society at large and in the art of movies.
By Richard Brody
Our Columnists
The Campaign Against D.E.I.
For critics of the former Harvard president Claudine Gay, a larger goal was always in sight.
By Keeanga-Yamahtta Taylor
The Front Row
Few Films Make Ideas Exciting, but “Origin” Succeeds
Ava DuVernay’s rendering of Isabel Wilkerson’s book “Caste” is a compelling fusion of history and drama.
By Richard Brody
Critics at Large
Martin Scorsese’s America
In films like “Goodfellas” and “Mean Streets,” the director has made a study of how evil happens. His latest, “Killers of the Flower Moon,” asks the same question of one of the darkest chapters in U.S. history.